bangkok-ok!

Chiangmai-yeah-yeah, Khonkan-hu-rayyy: Contemporary art & culture, Thailand

A Short Season of Contemporary Filipino Films


March 3 to 7, 2008
At The Alliance Française
138, Charoen Prathet Road - Chiang Mai

2 Sessions every day: 5:00 p.m. and 8 p.m.
(30 Baht per person per session contribution towards the cost of room hire and advertising.)

All the films are subtitled in English. One short and one full length film per session.
Shorts are approximately 20 minutes in length - Full-length films are about 90 to 120 minutes.
All films will be introduced by Edward Delos Santos Cabagnot,
CCP Media Arts Director, Cinemalaya Festival Programmer and API Asian Cinema Researcher.

Schedule of Screenings
Monday, March 3rd 2008

Theme: New Pinoy [Filipino] Cinema


5:00 pm Session

Short film: MANSYON by Joel Ruiz (Cinemalaya 2005)

A middle-aged couple, Ambo and Dolores, are hired as caretakers of a large, opulent house for the duration of three months. The couple has fallen into a psychic rut, mechanically doing their housework. Until one day, Dolores finds a red perfume bottle...

Full-length film: BATAD: SA PAANG PALAY (Batad: At the Mountain's Edge) by Benjie Garcia & Vic Acedillo Jr. (2006)

Set in the picturesque Banawe highlands, a young dropout helps his family by selling vegetables in a local market. The only thing he yearns for is a pair of rubber sneakers. But destiny has other plans for him.


8:00 pm Session

Short film: KULTADO (Boiling Point) by Lawrence Fajardo (Best short Film, Cinemalaya 2005)

Life in a wet market in the provinces spells danger. A young vegetable vendor and his family are oppressed by the market thugs. But things always have a breaking point.


Full-length film: ANG PAGDADALAGA NI MAXIMO OLIVEROS (The Blossoming of Maximo Oliveros) by Auraeus Solito & Michiko Yamamoto (2005) (Cinemalaya 2005)

An international film festival favourite - about a delicate young boy who falls in love with a handsome cop. Winner, 2006 Berlinale Kinder Festival.

Maxi (Nathan Lopez) is a 12-year-old effeminate gay boy who lives in the slums with his father and brothers who are petty thieves. The story primarily revolves around the conflict between his love for handsome young police officer Victor (J. R. Valentin), and his family's illegal livelihood. Neorealist in orientation, the film is a tale of lost innocence and redemption amidst the poverty of Manila's slums.
Maxi behaves like a girl, wearing clips in his hair and bangles on his wrists. He is teased by neighbors and former school friends. His sexuality is, however, fully accepted by his two brothers and by his father. One night he is accosted by two men who attempt to molest him, but his is saved by the appearance of Victor. Maxi develops on the young and handsome cop. But the latter's honesty soon gets him into trouble with Maxi's family.


The film was the official entry of the Philippines to the Academy Awards in March 2007. It holds the distinction of being one of the very few digital films released in 2005 to do well at the tills. Currently, it is still making the rounds of international film festivals.

Directed by Auraeus Solito. Writing credits : Michiko Yamamoto and Raymund Lee (through Cinemalaya Phililippine Independent Film Festival 2005 grant). Cast: Nathan Lopez, Soliman Cruz, J.R. Valentin, Ping Medina, Bodjie Pascua, Neil Ryan Sese and Pepe Smith. Produced by Raymond Lee. Line producer: Michiko Yamamoto. Original Music by Pepe Smith & Mike Villegas. Cinematography by Nap Jamir. Film Editing by Clarence Sison. Production Design by Clint Catalan Christina Dy Lily Esquillon. Camera and Electrical Department - Armin Collado, gaffer; Nor Domingo, gaffer; Pao Orendain, gaffer. Costume and Wardrobe Department: Jhek Cogama, stylist.

Awards - Asian First Film Festival: 2005 Swarovski Trophy - Best Film, Auraeus Solito. Berlin International Film Festival: 2006 Deutsches Kinderhilfswerk - Grand Prix Best Feature Film, Auraeus Solito; Glass Bear - Special Mention; Best Feature Film, Auraeus Solito; Teddy Best Feature Film, Auraeus Solito . Cinekid: 2006 Cinekid Film Award - Honorable Mention, Auraeus Solito. Cinemalaya Independent Film Festival: 2005 Balanghai Award; Best Production Design, Lily Esquillon; Special Citation, Nathan Lopez; Special Jury Prize, Auraeus Solito. Gawad Urian Awards: 2006 Gawad Urian Award, Best Cinematography (Pinakamahusay na Sinematograpiya), Nap Jamir; Best Editing (Pinakamahusay na Editing), Clarence Sison & Auraeus Solito; Best Picture (Pinakamahusay na Pelikula); and Best Screenplay (Pinakamahusay na Dulang Pampelikula), Michiko Yamamoto. Golden Screen Awards, Philippines: 2006 Golden Screen Award; Best Performance by an Actor in a Supporting Role (Drama, Musical or Comedy), Soliman Cruz. Independent Spirit Awards: 2007 Nominated Independent Spirit Award; Best Foreign Film, Auraeus Solito Philippines. Las Palmas Film Festival: 2006 Audience Award, Auraeus Solito ; Best Actor, Nathan Lopez (Tied with Israel Gómez Romero for Leyenda del tiempo, La (2006)); Golden Lady Harimaguada, Auraeus Solito. Montréal World Film Festival: 2005 Montréal First Film Prize, Aureaus Solito. Rotterdam International Film Festival: 2006 Netpac Award, Auraeus Solito. Sundance Film Festival: 2006 Nominated Grand Jury Prize World Cinema – Dramatic, Auraeus Solito. Torino International Gay & Lesbian Film Festival: 2006 Best Feature Film, Auraeus Solito.


Tuesday, March 4th 2008

Theme: The Filipino & Nature

5:00 pm Session

Short film: ROLYO (Film Roll) by Alvin Yapan (Cinemalaya 2007)

A farming family supports themselves in between harvests by catching birds and selling them each Sunday outside a provincial church.

Full-length film: BIYAYA NG LUPA (Blessings of the Land) - directed by Manuel Silos, produced in 1959. (Film Classic 1959)

This film represents one the great works of the "classic age" of Philippine art cinema (the late fifties and early sixties). About the struggles of a simple farming family the film presents traditional Filipino social and cultural values at their best.


"Biyaya ng Lupa" (Blessings of the Land), begins with young married couple Maria (Rosa Rosal) and Jose (Tony Santos Sr.) overseeing a lanzones orchard with their children Miguel (Leroy Salvador), Arturo (Carlos Padilla Jr), Angelita (Marita Zobel), and Lito (Danilo Jurado). The eldest, Miguel, is a deaf-mute. Just about everything is smooth in their lives and joy is never absent in their household. But when feared and tough widower Bruno (Joseph de Cordova) slowly slithers into their lives, their once peaceful life turns upside down. Little did the family of Maria and Jose, such tribulation will pave a new energy for their family to move on with life.
Produced and released theatrically by LVN in 1959, Biyaya ng Lupa became the well-deserved winner of FAMAS Best Picture 1960, Best Story and screenplay, Best Supporting Actor. Decades later, this work was honored the 1979 Natatanging Gawad Urian for Manuel Silos, and the FAP Lifetime Achievement 1985. It gained international fame for its nomination for the Golden Bear Award at the Berlin International Film Festival in 1960 and at the Asian Film Festival also in 1960 held in Tokyo where the late Leroy Salvador won the award for Best Supporting Actor.

Directed by Manuel Silos. Writing credits: Celso Al Carunungan, story and screenplay; Pablo Naval, screenplay; Pablo Naval, story . Cast (in credits order) - Rosa Rosal, Leroy Salvador, Tony Santos Sr, Carmencita Abad, Carlos Padilla Jr, Marita Zobel, Joseph De Cordova, Danilo Jurado and Mila Ocampo. Original Music by Juan Silos Jr.


8:00 pm Session

Short film: GABON (Cloud) by Emmanuel Dela Cruz

The mystifying tale of a Muslim lass who is determined to attend her classes... no matter what. (Cinemalaya 2007)


Full-length film: ANG DAAN PATUNGONG KALIMUGTONG (The Road to Kalimugtong) by Mes Guzman (2006)

A simple yet stunning cinematic feat: two children in a remote mountain barrio must trek to school two hours each day. Cinemalaya 2006 & 2007 Exhibition Film (Award-Winning Film, 2006)


Two Igorot siblings living with their invalid grandfather and jobless brothers traverse the mountain fastness in order to get to school everyday. They brave rough terrain, deep forests, roaring rivers and precarious hanging bridge to be able to make it to school and learn the day’s lessons.

For Jinky and Potpot, life in Benguet is simply a trek to and from school. Every day, together with other children, they have to cross mountains, rivers and hanging bridges to get to their destination. They survive thanks to the work of their elder brothers, Manong Ramil and Manong Ronaldo, who inherited the task of looking after their siblings and grandfather on their parents' death. Both work for a mining company, leaving the younger brothers in their grandfather's care. But the elder brothers haven't been back for months. The neighbors think they may have been buried in a mine landslide. While waiting for news, the kids and their grandfather try to subsist on the herbs growing in their backyard. Meanwhile, they continue to pray for their brothers' safety and their own salvation.

Sampay Bakod Productions, 89 mins. Screenplay - Mes De Guzman. Photography (colour) - Albert Banzon. Editing - Mes De Guzman, Arasaw Kurabokov. Music - Bernard “Nio” Manzano. Sound - Bob Macabenta. Cast - Analyn Bang Si-Il, Rhenuel Ordono, Hallen Sumingwa, Jay Bassing. Production - Ramon De Guzman.

Year of production – 2005. Running time 87’. Format DV.

About the Director: Mes De Guzman is an independent film director and scriptwriter living in the Philippines. He has won four Don Carlos Palanca Awards for his scripts and the 2004 NCCA Grand Prize for his first novel Rancho Dyanggo. He made three films, all of them were screened at international festivals, the 35mm short film Batang Trapo (2001) was awarded at the festival in Marrakech and won the Ishmael Bernal Award for Young Cinema at the Cine Manila International Film Festival. The Road to Kalimugtong got the Special Mention in San Sebastian, 11 nominations at Gawad Urian, winning the prize for Best Director and Best Production Design, and won the 2nd Prize for Best Picture in Manila.


Wednesday, March 5th 2008

Theme: Love, Death & Memory

5:00 pm Session

Short film: NINEBALL by Enrico Aragon (Special Jury Prize, Cinemalaya 2007)

Cited for “its hilarious and satiric take on the national pastime, billiards, and its engaging characterization.”


Full-length film: DONSOL by Adolf Alix (2006) (Cinemalaya 2006)

Love blossoms in a small fishing town —Donsol— that is also the sanctuary to the endangered butanding (whale sharks). Daniel, a young tourist guide, meets the beautiful yet melancholy Teresa from Manila. Beautiful spots and landscapes ot the smal coastal town of Donsol, Sorsogon.

8:00 pm Session

Short film: DOBLE VISTA (Double Vision) by Nix Lanas, Nisha Alicer & Caren Crisologo (Cinemalaya 2007)

A witty and visually exciting tribute to Godard and the Nouvelle Vague centering on a lovelorn writer and his mystery lady.


Full-length film: TULAD NG DATI (Same As Before) by Michael Sandejas (2006) (Cinemalaya 2006)

A tribute to the legendary 80’s Pinoy rock band, The Dawn, and played by the band members themselves. Jet Pangan, the band vocalist is hit on the head by a burglar... and finds himself losing his memory and retracing the memories of his past.

Thursday, March 6th 2008

Theme: Living in the City (1)

5:00 pm Session

Short film: BABAE (Woman) by Sigrid Bernardo (Cinemalaya 2005)

Two disparate (and desperate) girls are brought together by fate. As they grow up in the slums of Manila, they find solace in each other’s company. And this develops into something much deeper.

Full-length film: INSIANG - directed by national artist Lino Brocka, produced in 1976. (Film Classic, 1976)

"The first Filipino film to show at the Cannes Film Festival is set in the slums of Manila. A beautiful girl gets taken advantage of by her mother's lover, and then learns how to exact revenge." This is a favourite Brocka work and exemplifies what he is best known for - eliciting great performances from his actors (Hilda Koronel, Mona Lisa and Ruel Vernal), tight dramatic plot-lines, social realism.

8:00 pm Session

Full-length film: MANILA BY NIGHT - directed by Ishmael Bernal, produced in 1981.

This film essays the dark side of life in Imelda Marcos' city of the "true, the good and the beautiful". During its time it was known as the film which made Imelda furious and was heavily censored for its public release. This is the integral version of the Cultural Center of the Philippines!

"Manila By Night is director Ishmael Bernal's and possibly Philippine Cinema's best work. Recognized locally and abroad, it probes the city's depravity and exposes its strangeness through a string of characters played by the most competent actors of its time.

Lorna Tolentino, Alma Moreno, Gina Alajar, Rio Locsin, Cherie Gil, Mitch Valdez, Charito Solis, Orestes Ojeda, William Martinez and Bernardo Bernardo play an ensemble of desperate characters trapped between the city's lure of a better life and its dark and ghastly ways of providing for its residents. The impoverished women pin their hopes on the city and the men lure them into prostitution, drugs and crime.

Ironically, while they seem to ruin one another's lives, they also become each other's best chances for hope and survival. The drug-pushing lesbian played by Cherie Gil finds solace in the blind sauna bath employee played by Rio Locsin who in turn is led across the dismal streets of Manila by the gay couturier played by Bernardo Bernardo.

Manila by Night is a keen look into the social problems affecting Manila's underworld. With its controversial bold visual imagery, it is a brilliant reflection of the reality that the Filipino has yet to confront." (From: kabayancentral.com)

Friday, March 7th 2008

Theme: Living in the City (2)

5:00 pm Session

Short film: PUTOT (Small Fry) by Jeck Cogama (Cinemalaya 2006)

A young boy cares for his mentally challenged father in a slum area that is about to be demolished. While trying to make a living selling shellfish, he meets Mayang, a girl slightly older than him. Soon he finds himself enamoured with the lass.

Full-length film: KUBRADOR (The Bet Collector) by Jeffrey Jeturian (Cinemalaya 2006 Opening Film) (Award-Winning Film, 2006)

The movie chronicles three days in the life of Amelita, a kubrador (bookie) for the illegal numbers game jueteng. She continues to collect bets from her regular patrons every day despite a government crackdown on the game. One day, she is apprehended by the police. She joins other kubradors in the police station until their protector bails them out.
The following morning, Amelita returns to the streets and continues her illegal activities. She meets the parish priest, who informs her of a young neighbor's sudden accidental death. He asks her to collect donations from neighbors and friends. Then, a series of events turns her mundane existence into a perplexing game of life, luck and death.

Director: Jeffrey Jeturian. Screenplay: Joel Jover. Cinematography: Roberto Yniguez. Editing: Jay Halili. Music: Jerrold Tarog. Production Design: Leo Abaya. Production: Joji Alonso / MLR Film. Cast: Gina Pareño, Soliman Cruz, Nanding Josef, Johnny Manahan, Domingo Landicho, Jhong Del Rosario, Nico Antonio and Fonz Deza. 98 minutes.
Awards (Main) - Cinemalaya Philippine Independent Film Festival 2006 Opening Film (World Premiere). Cinemanila International Film Festival: LINO BROCKA AWARD (Grand Prize). Moscow International Film Festival 2006: FIPRESCI (International Critic's Award). Osian's Cinefan Festival of Asian and Arab Cinema: FIPRESCI (International Critic's Award) Best Actress for Gina Pareño; Best Film. 2007 Bangkok International Film Festival: Nominee - Best ASEAN film. Cinema Evaluation Board - Rated A.

Posted by Jan on 03/04/2008 | Permalink | Comments (0)

Brand New 2008

Krit_7_10

February 19 - March 31, 2008
Organisers: Tadu Contemporary Art (by Yontrakit Group), Bangkok University Gallery and Chulalongkorn University Art Centre

The Brand New 2008 art project has been organized for the fifth consecutive year with cooperation from Bangkok University Gallery, Chulalongkorn University Art Centre, and Tadu Contemporary Art. The Brand New Project aims to encourage the new generation artists to express themselves through their solo exhibitions without any compulsory themes or framework. This project also focuses on exchanging art enthusiasts and audiences among the collaborating galleries and developing a cooperative network of the contemporary galleries in Bangkok.

The project is supported by the Office of Contemporary Art and Culture, Ministry of Culture and The Royal Netherlands Embassy, Thailand. This year an Amsterdam-based curator, Ms. Marianne Maasland, is invited to select the artists for this exhibition. This year, seven talented artists were selected to participate in the Brand New 2008.


Exhibition Venues and Dates :
February 19 – March 31, 2008
Opening ceremony: Friday, February 29, 2008 at 6.30 p.m.
At Bangkok University Gallery, City Campus

March 6-31, 2008
Opening ceremony:Thursday, March 6, 2008 at 6.30 p.m.
At Chulalongkorn University Art Centre

March 7- 31, 2008
Opening ceremony: Friday, March 7, 2008 at 6.30 p.m.
At Tadu Contemporary Art

Artists :
Theerawat Maysasitthivit
Supapong Laodheerasiri
Orawan Arunrak
Krit Ngamsom
Naruemon Padsamran
Prateep Suthathongthai
Wasan Thitisakul

For more information, please contact:
• Bangkok University Gallery (BUG) Tel. 02-350-3626 (Tuesday-Saturday from 9.30 to 18.00 hrs.) or email to buggallery@bu.ac.th, website: http://fab.bu.ac.th/buggallery/

• Chulalongkorn University Art Center Tel. 02-218-2964-5 (Monday-Friday from 9.00 to 19.00 hrs., Saturday 9.00-16.00 hrs.) or email to chulaart@gmail.com, website: www.car.chula.ac.th/art

• Tadu Contemporary Art Tel. 02-645-2473 (Monday-Saturday from 09.00 to 18.00 hrs.) or email to tadunews@yahoo.com, website: www.myspace.com/taducontemporaryart

On view here are works by Naruemon Padsamran. The show is titled "Luk Tung" (Thai Folk Life)

Very impressive by the wise and great sense in the use of local materials (letters from signages of her family's folk music theatre)

Posted by Jan on 02/25/2008 | Permalink | Comments (0)

"Our Lady of the Low Countries"

Our_ladys_einvitation

By Michael Shaowanasai
February 9 – March 30, 2008
Opening Reception: February 9, 2008, 6:30 pm

Brilliant and bizarre performance artist Michael Shaowanasai, better known in Thailand as super heroine Iron Pussy, reinterprets the symbols of feminine divinity to transform himself into a revered public monument. Inspired by a penetrating dialogue with a handsome Dutch theologian, he bestows his new divine persona with the title ‘Our Lady of the Low Countries.’
“Thailand, especially Bangkok, is a lowland country too,” he says. “When we look up to our celebrated icons, we only see 180 degrees, or just one side, of them. This is why Our Lady is photographed on a pedestal in the middle of a busy traffic circle. People drive around Her and get a 360 degree view.”

Whether you find Michael’s work delicious or offensive, Our Lady’s high-wattage glamour and sanctity is sure to electrify.
http://www.kathmandu-bkk.com/exhibition_future01.html

Posted by Jan on 02/15/2008 | Permalink | Comments (0)

"Paradise Engineering"


Front_paradise

February 8 - March 1, 2008
Opening: February 8, 2008

"Paradise Engineering" is a group show which features the works by Ing K, Nipan Oranniwesna, Prateep Suthathongthai, Sakarin Krue-On, Suporn Shoosongdej and Wantanee Siripattananuntakul.

Venue:
The Art Center,
7/F, Center of Academic Resources (Central Library),
Chulalongkorn University,
Bangkok, Thailand
Tel: 662 2150 8713
Email: info@chula.ac.th
Website: http://www.chula.ac.th/

Posted by Jan on 02/03/2008 | Permalink | Comments (0)

Politics in Art – Between Sharing and Showing

Politics in Art – Between Sharing and Showing
7 Feb 2008
Venue: Goethe-Institut Auditorium, Bangkok

The symposium takes place in the framework of two exhibitions: ARTSPACE GERMANY, and UNDERLYING from The Mekong Art and Culture Project.

Part 1 :
Time: 10am - 12:30pm

A considerable number of Thai artists studied arts abroad. They studied foreign standards and international standards in depth, and had to find their own standpoint as foreigners. But finally they made it. They majored, earned local fame outside their own country. Finally they returned home with a degree and recognition from studying arts abroad. But what seemed to be a privilege often turns out the beginning of an estrangement from one´s home and home standards and cultural language.
We asked Sutthirat Supaparinya, Wasinburee Supanichvoraparch to join us in a reflection about the question: was it worth going abroad?
Moderator: Jakapan Vilaseenikul.


Part 2
Time: 1:30 - 4pm

The symposium takes place in the framework of two exhibitions: ARTSPACE GERMANY, and UNDERLYING from the Mekong Art Project.

Dr. Ursula Zeller (ifa – Institut of Foreign Relations, Germany) and
Dr. Apinan Poshyananda (Centre of Contemporary Art at the Ministry of Culture, Thailand ) will be talking about state support for the arts. In particular they will consider the role of the arts in the outreach of a state outside its own boundaries and the degree of public support for the interior growth of the arts.
Moderator: Dr. Sayan Deangklom.

- Symposium in Thai Language with simultaneous translation

Venue:
Goethe-Institut Bangkok
18/1 Soi Goethe, Sathorn 1 Bangkok 10120 Thailand
Tel: ++66(0) 2287 0942-4
Email: info@bangkok.goethe.org
Website: http://www.goethe.de/bangkok

Posted by Jan on 02/03/2008 | Permalink | Comments (0)

Underlying


This major traveling exhibition features the collaborative works between artists and curators in the Mekong sub-region. It includes 32 art works by 20 artists from Cambodia, Laos, Thailand and Vietnam, in a variety of media: oil painting, mixed-media, woodcuts, video art, photography and installation.

The exhibition is also the first event in the region that aims to help curators build their capacity by allowing participants to apply recently developed knowledge in real-world practice.

Organized by The Mekong Art & Culture Project Traveling Exhibition
The catalogue is available for download in http://www.mekongart.org/DOWNLOADS/catalogue_final.pdf

Exhibition Periods and Venues:
Date: 6 Feb – 5 Mar 2008
Venue:
Tadu Contemporary Art Gallery
99/2 Barcellona Motor Building, Tienruammitr Rd.,
Huaykwang, Bangkok, Thailand
Tel: (662) 247 5555
Email: taduart@tadu.net
Website: http://www.tadu.net

Date: 21 Mar – 8 Apr 2008
Venue:
Meta House, Phnom Penh
Tel: +855 (0)23 224 140
Website: http://www.meta-house.com

Date: 25 Apr – 15 May 2008
Venue:
Maison de la Culture de Ban Naxay, Vientiane
Tel: +856 (0)20 561 2049

Opening: Hours:
Monday - Saturday, 9am - 4pm

Date: 30 May – 13 Jun 2008
Venue:
Viet Art Centre, Hanoi
Tel: +84 (0)4 942 9085
Website: http://www.vietartcentre.vn

Posted by Jan on 02/03/2008 | Permalink | Comments (0)

TUMMADA: Experimental Art Exhibition/Party

Tummada


Posted by Jan on 12/24/2007 | Permalink | Comments (0)

รวมพลังปิดสภาครั้งที่2: Stop the NLA from amending unfair laws NOW

No_entry_1912_50

ขอเชิญชวนพี่น้องประชาชนและองค์กรภาคประชาชนทุกเครือข่าย

รวมพลังปิดสภาครั้งที่2

ด้วยโซ่มนุษย์ล้อมสภา

ร่วมกันยุติบทบาทของสภานิติบัญญัติแห่งชาติในการเร่งออกกฎหมายที่ละเมิดสิทธิเสรีภาพของประชาชน

พุธ 19 ธ.ค. 8.00-19.00น.


ยึดหลักสันติวิธีโดยเคร่งครัด
ยืนยันไม่เป็นเครื่องมือกลุ่มผลประโยชน์อำนาจทางการเมืองใดๆ และไม่ยอมให้มีการสร้างสถานการณ์ยกเลิกการเลือกตั้ง

เริ่มการเลือกตั้งแล้ว กำลังจะมีสภาผู้แทนของประชาชน แต่สภาแต่งตั้งยังเร่งรีบออกกฏหมายที่ละเมิดสิทธิของประชาชนอย่างรุนแรงเช่นร่างพรบ.ความมั่นคงในราชอาณาจักร เป็นเรื่องที่ขาดความชอบธรรมโดยสิ้นเชิงและเป็นการปิดกั้นการมีส่วนร่วมของประชาชนในการพิจารณากฎหมาย


กฎหมายที่สนช.ต้องหยุดพิจารณา:

1. ร่างกฎหมายการรักษาความมั่นคงในราชอาณาจักร มีสาระสำคัญเป็นการขยายอำนาจให้กองทัพควบคุม
สังคม โดยปราศจากการตรวจสอบจากสถาบันตุลาการ อันเป็นภัยคุกคามต่อหลักสิทธิเสรีภาพ หลักการปกครอง
ระบอบประชาธิปไตย หลักนิติธรรม และหลักการมีส่วนร่วมของประชาชน ดังที่กำหนดไว้ในรัฐธรรมนูญ
2. ร่างกฎหมายว่าด้วยทรัพยากรน้ำ มีสาระสำคัญเป็นการให้รัฐมีอำนาจบริหารจัดการน้ำแบบเบ็ดเสร็จใน 3 รูปแบบ คือ รูปแบบการพัฒนาแหล่งน้ำ การผันน้ำ การทำลายสิ่งกีดขวางทางน้ำในยามน้ำท่วม, รูปแบบการบริหารจัดการหรือการใช้น้ำ และรูปแบบการกำหนดการใช้ที่ดิน รวมทั้งไม่รับรองสิทธิของชุมชนที่จัดการน้ำที่มีอยู่เดิม ซึ่งได้รับการรับรองตามมาตรา 66 ของรัฐธรรมนูญ ตลอดจนผู้ใช้น้ำต้องเสียค่าใชัน้ำ
3. ร่างกฎหมายการประกอบกิจการกระจายเสียงและกิจการโทรทัศน์ มีสาระสำคัญเป็นการคุ้มครองคลื่นความถึ่ให้กับหน่วยงานรัฐที่เป็นเจ้าของสื่อวิทยุโทรทัศน์ในปัจจุบัน เช่นคลื่นความถี่วิทยุโทรทัศน์ของทหาร กรมประชาสัมพันธ์ ไม่สามารถถูกจัดสรรใหม่ และการให้รัฐมีอำนาจควบคุม หรือห้ามเสนอข่าวสารโดยการสั่งการด้วยวาจาหรือหนังสือระงับรายการ
4. ร่างกฎหมายว่าด้วยเงื่อนไขและหลักเกณฑ์การแปลงสภาพรัฐวิสาหกิจ มีสาระสำคัญเป็นการให้อำนาจรัฐนำรัฐวิสาหกิจมาเปลี่ยนสภาพให้เป็นบริษัทจำกัด หรือบริษัทมหาชนจำกัด และการกระจายหุ้นแก่เอกชน อันเป็นการเอื้อประโยชน์แก่กลุ่มทุนทั้งภายในและภายนอกประเทศ และทำให้ประชาชนเสียสิทธิที่จะเข้าถึงสาธารณูปโภคและสาธารณูปการที่จำเป็นต่อการดำรงชีวิต
5.-7. ร่างกฎหมายมหาวิทยาลัยออกนอกระบบของ จุฬาลงกรณ์มหาวิทยาลัย มหาวิทยาลัยเชียงใหม่ และสถาบันพระจอมเกล้า ลาดกระบัง มีสาระสำคัญเป็นการแปรรูปมหาวิทยาลัยออกนอกระบบ เข้าสู่การบริหารโดยอาศัยกลไกตลาด อันจะมีผลกระทบต่อสิทธิการเข้าถึงการศึกษาของประชาชน อิสรภาพทางวิชาการ การศึกษารับรู้ของประชาชนทางด้านสังคม และหลักประกันทางด้านสวัสดิการของบุคลากรของมหาวิทยาลัย
8.ร่างกฎหมายสภาการเกษตรแห่งชาติ มีสาระสำคัญเป็นการให้อำนาจผู้แทนหน่วยงานของรัฐร่วมกับผู้แทนองค์กรธุรกิจการเกษตรในการกำหนดนโยบายและแนวทางในการพัฒนาการเกษตรเป็นสำคัญ โดยเกษตรกรส่วนใหญ่ไม่สามารถเข้าถึงและมีส่วนร่วมในการกำหนดแนวทางการพัฒนาการเกษตรดังกล่าว

Posted by Jan on 12/17/2007 | Permalink | Comments (0)

The Art of Corruption

Art_of_corruption_page1_2


นิทรรศการ “ศิลปะแห่งการคอร์รัปชั่น”
11 ธันวาคม 2550- 20 มกราคม 2551
หอศิลปของสำนักศิลปวัฒนธรรมร่วมสมัย อาคาร ทีพีไอ ทาวเวอร์ ถนนนราธิวาสราชนครินทร์

ไม่ว่าจะในยุคสมัยใด ปัญหาการคอร์รัปชั่น หรือ การฉ้อโกงต่างๆ ในสังคมไทยเป็นเรื่องประชาชนตาดำๆ อย่างเราก็ได้ยิน ได้ฟัง ได้เห็น หรือได้ประสบกับตัวเองมาจนชินชา แล้วเราจะสามารถทำอะไรกันได้บ้าง เพราะ..
ไม่ว่าจะมีหน่วยงาน องค์กร คณะกรรมการ คณะทำงาน ฯลฯ ที่ถุกตั้งขึ้นมาตรวจสอบการโกงกินอีกซักกี่ชุด ก็ไม่เห็นว่าปัญหาที่มีอยู่จะได้รับการแก้ไขอย่างจริงๆ จังๆ นักการเมืองหรือเหล่าผู้มีอำนาจก็ไม่เห็นอายที่จะ "เอา" แถมยังมีการพัฒนากลโกงกันราวกับคิดค้นนวัตกรรมใหม่ ให้เนียน ให้ยากที่จะหาคนผิดกันเข้าไว้ เฮ้อ ไอ้ที่โกงกันไปน่ะ เงินภาษีพวกเรากันทั้งน้าน

ในภาวะอย่างนี้ ศิลปินกลุ่มหนึ่งจึงลุกขึ้นมา หยิบยกปัญหาคาใจ ที่เกี่ยวกับการโกงกิน สะท้อนผลที่เกิดขึ้นกับชุมชนและสังคมที่ต้องรับกรรมจากกลโกงต่างๆ ออกมาเป็นงานศิลปะในหลายรูปแบบ ทั้งงานจิตรกรรม ภาพถ่าย งานกราฟฟิค ภาพยนตร์สั้น วิดีโอ และงานจัดวาง

ที่เด็ดไปกว่านั้นในงานเปิดนิทรรศการ ศาสตราจารย์ ดร. Benedict Anderson หรือ อาจารย์เบนของเหล่าศิษยานุศิษย์แห่งมหาวิทยาลัย Cornell ผู้เชี่ยวชาญด้านประวัติศาสตร์และการเมืองในเอเชียตะวันออกเฉียงใต้ จะมากล่าวปาฐกถาเปืดในหัวข้อ "Art of Corruption" จะแสบสัน บาดลึกโดนใจใครบ้าง ต้องมาฟังกัน

ในงานเปิดยังมีการแสดงของพระจันทร์เสี้ยวการละคร และหนังตลุงโดยวสันต์ สิทธิเขตต์ จากนั้นก็สามารถชมผลงานของศิลปินที่ร่วมแสดงในงานนี้ อาทิ มานิต ศรีวานิชภูมิ, กมล เผ่าสวัสดิ์, สุธี คุณาวิชยานนท์, สาครินทร์ เครืออ่อน, วิชญ์ พิมพ์กาญจนพงศ์, พรทวีศักดิ์ ริมสกุล, อิ๋ง กาญจนะวณิชย์, ขวัญสรวง อติโพธิ และพรรษา พุทธรักษา งานนี้มีคุณไพศาล ธีรพงศ์วิษณุพร เป็นภัณฑารักษ์ผู้คัดสรรผลงาน

สนใจสอบถามข้อมูลเพิ่มเติม ติดต่อ สำนักงานบริหารและพัฒนาองค์ความรู้ (คุณวรพจน์ ประสานพานิช) 02-264-5958 ต่อ 234
-------------------------------------------------------------------------------
"Art of Corruption”
December 11, 2007 – January 20, 2007

By Vasan Sitthiket, Manit Sriwanichpoom, Kamol Phaosavasdi, Sutee Kunavichyanont, Sakarin Krue-on, Wit Pimkanchanapong, Porntaweesak Rimasakul, Ing Kanchanavanich, Khuansuang Atthipothi, and Pansa Phuttaraksa.

The Office of Knowledge Management and Development (OKMD) is organising an art exhibition which reflects the deep-rooted problems in the Thai society caused by corruption. The participating artists touch upon the problems, pose questions, and present their grave concerns on corrupted acts by the people in power with their different approaches; realistically, imaginary, and sarcastically.

The opening will take place on December 11, 2007 with following activities

3PM “The Art of Corruption.”, a special lecture by Professor Dr. Benedict Anderson, world-renowned writer and critic on Southeast Asia
4PM Opening ceremony presided by Professor Dr. Apinan Poshyananda, Director-General of Office of Contemporary Art and Culture, Ministry of Culture and the Chairman of The Office of Knowledge Management and Development
4.30PM Performance by Crescent Moon Theatre Group

4.50PM Puppet Show presenting a critique on corruption problems by Vasan Sitthiket

For more information please contact, the Office of Knowledge Management and Development
Tel: +662 264 5958-9 ext. 234

Venue:
OCAC Art Gallery
TPI Tower, Narathiwas Road
26/56 Chan Tat Mai Rd.,Sathorn,Bangkok 10120
Open hours 10.00AM – 6.00 PM (Closed on Monday)

Posted by Jan on 12/03/2007 | Permalink | Comments (0)

Trance-Formations

20071_4

December 6, 2007 - January 27, 2008

By Nim Kruasaeng
Opening reception and book launch on December 6, from 6 p.m. onward.
At Gallery VER
www.verver.info

Nim Kruasaeng, a self-taught female artist, lives and works in Bangkok and Pattaya. She paints mostly on canvas and watercolour paper. Her subject matter is what comes to her immediate senses; impression or memory, which she transfers it through visual expression, using honest, deliberate strokes.

The show will include her first-ever exhibition of sculpture. The three sculptures to be presented there are a three-dimensional development of the approach she takes in painting.

The opening reception will also celebrate the launch of a related artist's book. The 150-page, hardcover volume is a collaborative work that pairs images of Nim's paintings together with a series of related photographs by artist Rirkrit Tiravanija.

Posted by Jan on 12/03/2007 | Permalink | Comments (0)

« Previous | Next »

Recent Posts

  • Lifeboat #2551
  • The Launch of "As Yet Unnamed"
  • Navin's Sala
  • "The Mons in Siam: Ethnicity, Roles, and Lessons"
  • Fast Art Catalogue Digital download
  • Sakarin Krue-on at Museum Of Mind
  • Will Not Cry in Public
  • SULU STORIES
  • SYNDROMES AND A CENTURY: THAILAND'S EDITION
  • Symposium on “Japanese Art and Culture”

Categories

  • Architecture
  • Arts
  • Books
  • Current Affairs
  • Design
  • Music
  • Others
  • Video&Film
  • Weblogs

For Contributors

  • ThaiArtCal
    for edit, need password
  • ThaiArtCal Public post
    add event calender @ ThaiArtCal / สำหรับเติมปฎิทินกิจกรรมที่ ThaiArtCal
  • Typepad
    สำหรับเพิ่มเนิ้อหา(เฉพาะกลุ่มผู้รวบรวมเนื้อหา)

related links

  • Museum of mom
  • pated
  • lolaytoon
  • petchinlove
  • Angkrit's Blog
  • som's otherworlds@reality
  • APEX
  • THE LAND NEWS (ข่าวที่นา)
  • Suvarnabhumi Tales
  • p l a t f o r m
  • The Bob Boonhod Blog
  • BKK to the Future
  • Speechless in Bangkok
  • onopen.com - โอเพ่นออนไลน์
  • Beauty Suit
  • diacritic | art and culture
  • art4d Blog
  • Asia Art Archive
  • AboutTV
  • Bangkok2's Blog

Archives

  • July 2008
  • May 2008
  • April 2008
  • March 2008
  • February 2008
  • December 2007
  • November 2007
  • October 2007
  • September 2007
  • July 2007
Subscribe to this blog's feed